There are two kinds of people in the world: those who hate building IKEA furniture and madmen. Now, thanks to IkeaBot, the madmen can be replaced.
IkeaBot is a project built at Control Robotics Intelligence (CRI) group at NTU in Singapore. The team began by teaching robots to insert pins and manipulate IKEA parts, then, slowly, they began to figure out how to pit the robots against the furniture. The results, if you’ve ever fought with someone trying to put together a Billy, are heartening.
The assembly process from CRI is not quite that autonomous; “although all the steps were automatically planned and controlled, their sequence was hard-coded through a considerable engineering effort.” The researchers mention that they can “envision such a sequence being automatically determined from the assembly manual, through natural-language interaction with a human supervisor or, ultimately, from an image of the chair,” although we feel like they should have a chat with Ross Knepper, whose IkeaBot seemed to do just fine without any of that stuff.
In other words the robots are semi-autonomous but never get frustrated and can use basic heuristics to figure out next steps. The robots can now essentially assemble chairs in about 20 minutes, a feat that I doubt many of us can emulate. You can watch the finished dance here, in all its robotic glory.
The best part? Even robots get frustrated and fling parts around:
I, for one, welcome our IKEA chair manufacturing robotic overlords.
Although I do my best to minimize the trash produced by my lifestyle (blog posts notwithstanding), one I can’t really control, at least without carrying a spoon on my person at all times, is the necessity of using a disposable stick to stir my coffee. That could all change with the Stircle, a little platform that spins your drink around to mix it.
Now, of course this is ridiculous. And there are other things to worry about. But honestly, the scale of waste here is pretty amazing. Design house Amron Experimental says that 400 million stir sticks are used every day, and I have no reason to doubt that. My native Seattle probably accounts for a quarter of that.
So you need to get the sugar (or agave nectar) and cream (or almond milk) mixed in your iced americano. Instead of reaching for a stick and stirring vigorously for ten or fifteen seconds, you could instead place your cup in the Stircle (first noticed by New Atlas and a few other design blogs), which would presumably be built into the fixins table at your coffee shop.
Around and around and around she goes, where she stops, nobody… oh. There.
Once you put your cub on the Stircle, it starts spinning — first one way, then the other, and so on, agitating your drink and achieving the goal of an evenly mixed beverage without using a wood or plastic stirrer. It’s electric, but I can imagine one being powered by a lever or button that compresses a spring. That would make it even greener.
The video shows that it probably gets that sugar and other low-lying mixers up into the upper strata of the drink, so I think we’re set there. And it looks as though it will take a lot of different sizes, including reusable tumblers. It clearly needs a cup with a lid, since otherwise the circling liquid will fly out in every direction, which means you have to be taking your coffee to go. That leaves out pretty much every time I go out for coffee in my neighborhood, where it’s served (to stay) in a mug or tall glass.
But a solution doesn’t have to fix everything to be clever or useful. This would be great at an airport, for instance, where I imagine every order is to go. Maybe they’ll put in in a bar, too, for extra smooth stirring of martinis.
Actually, I know that people in labs use automatic magnetic stirrers to do their coffee. This would be a way to do that without appropriating lab property. Those things are pretty cool too, though.
You might remember Amron from one of their many previous clever designs; I happen to remember the Keybrid and Split Ring Key, both of which I used for a while. I’ll be honest, I don’t expect to see a Stircle in my neighborhood cafe any time soon, but I sure hope they show up in Starbucks stores around the world. We’re going to run out of those stirrer things sooner or later.
Everyone seems to be insisting on installing cameras all over their homes these days, which seems incongruous with the ongoing privacy crisis — but that’s a post for another time. Today, we’re talking about enabling those cameras to send high-definition video signals wirelessly without killing their little batteries. A new technique makes beaming video out more than 99 percent more efficient, possibly making batteries unnecessary altogether.
Cameras found in smart homes or wearables need to transmit HD video, but it takes a lot of power to process that video and then transmit the encoded data over wi-fi. Small devices leave little room for batteries, and they’ll have to be recharged frequently if they’re constantly streaming. Who’s got time for that?
The idea behind this new system, created by a University of Washington team led by prolific researcher Shyam Gollakota, isn’t fundamentally different from some others that are out there right now. Devices with low data rates, like a digital thermometer or motion sensor, can something called backscatter to send a low-power signal consisting of a couple bytes.
Backscatter is a way of sending a signal that requires very little power, because what’s actually transmitting the power is not the device that’s transmitting the data. A signal is sent out from one source, say a router or phone, and another antenna essentially reflects that signal, but modifies it. By having it blink on and off you could indicate 1s and 0s, for instance.
UW’s system attaches the camera’s output directly to the output of the antenna, so the brightness of a pixel directly correlates to the length of the signal reflected. A short pulse means a dark pixel, a longer one is lighter, and the longest length indicates white.
Some clever manipulation of the video data by the team reduced the number of pulses necessary to send a full video frame, from sharing some data between pixels to using a “zigzag” scan (left to right, then right to left) scan pattern. To get color, each pixel needs to have its color channels sent in succession, but this too can be optimized.
Assembly and rendering of the video is accomplished on the receiving end, for example on a phone or monitor, where power is more plentiful.
In the end, a full-color HD signal at 60FPS can be with less than a watt of power, and a more modest but still very useful signal — say, 720p at 10FPS — can be sent for under 80 microwatts. That’s a huge reduction in power draw, mainly achieved by eliminating the entire analog to digital converter and on-chip compression. At those levels, you can essentially pull all the power you need straight out of the air.
They put together a demonstration device with off-the-shelf components, though without custom chips it won’t reach those
A frame sent during one of the tests. This transmission was going at about 10FPS.
microwatt power levels; still, the technique works as described. The prototype helped them determine what type of sensor and chip package would be necessary in a dedicated device.
Of course, it would be a bad idea to just blast video frames into the ether without any compression; luckily, the way the data is coded and transmitted can easily be modified to be meaningless to an observer. Essentially you’d just add an interfering signal known to both devices before transmission, and the receiver can subtract it.
Video is the first application the team thought of, but there’s no reason their technique for efficient, quick backscatter transmission couldn’t be used for non-video data.
The tech is already licensed to Jeeva Wireless, a startup founded by UW researchers (including Gollakota) a while back that’s already working on commercializing another low-power wireless device. You can read the details about the new system in their paper, presented last week at the Symposium on Networked Systems Design and Implementation.
If you’ve worked through the amazing selection of games provided by the NES and SNES Classic Editions, you may be in luck: SNK, the legendary arcade game creator behind the likes of Metal Slug and Samurai Shodown, is teasing what looks like its own tiny arcade cabinet.
Teased as part of the company’s 40th anniversary, the shrouded gadget definitely doesn’t look like a NEO-GEO, or even a NEO-GEO Pocket. Gizmodo notes that the description mentions a “new game machine,” but no details beyond that. The tall, boxy outline suggests a small arcade cabinet, and the slab in front of it looks a lot like an arcade controller.
It wouldn’t be a particularly original creation — there are dozens of tiny arcade cabinets with built-in games, but the truth is, none of them is particularly good. They’re novelties, perfectly fun for a laugh, but the hardware — compared with the impressive solidity of real arcade controllers and the NEO-GEO’s itself — just isn’t there.
If I had to guess, I’d say this is an arcade cabinet-style console with improved internals, a decent screen to accommodate games newer than 1996 and a separate, perhaps even wireless arcade controller. Price… I’d put it at $200 or $250. Extra controller (and you’ll want it), my guess is $60. I could easily be way off, though. Maybe they’d even let us plug in our old Tanksticks?
An original NEO-GEO controller. You can feel the sturdiness from where you sit.
Inside, you’ll probably find a generous helping of SNK classics, likely limited to arcade and NEO-GEO titles. Even without SNK’s classic games for home consoles like the NES, my eyes were watering as I scrolled down the list of games the company has put out and which may end up on this device.
King of the Monsters 2? Last Resort? Twinkle Star Sprites? King of Fighters, Samurai Shodown and all the other fighters? Not to mention Metal Slug and its sequels. The amount of quarters I’ve sunk into these fantastic, beautiful games is uncountable.
If SNK is smart, they’ll make it possible to add new games to the system, too. There are plenty to choose from, as the company catered to a number of niches. Having them available for a few bucks each would be a dream — and anyway, if this isn’t a possibility, people will just hack new ROMs onto the system.
Whatever the case is, you can be sure I’m already jockeying for position to review the thing. I’ll let you know the second I hear anything.
Watchmaker Jaquet Droz announced its Signing Machine — a mechanical device that will sign your name for you using a series of miniature gears and springs — in 2014. Four years later, the company is ready to ship their miraculous contraption just in time for you to ink the deal you’ve made with Cybereus, lord of the digital underworld.
This exquisitely baroque gadget is essentially a little cartridge full of clockwork. You wind it up, stick a pencil in its tiny retractable claw, and let it go. The gears and levers recreate your signature with a series of flowing strokes generated by the movement of the gears.
The Signing Machine is activated after you enter your four-digit code into the the device, and each unit is individually decorated for the owner.
How much does this bit of titanium jimcrackery cost? It starts at $367,500 and goes up depending on your signature. Too much? Just remember: Making deals with the cryptodemons of the digital underworld isn’t cheap. You’ll need something like this oddly tactical piece of metal to truly widen their hooded, red-shining eyes.
It’s almost time for SpaceX to launch NASA’s TESS, a space telescope that will search for exoplants more across nearly the entire night sky. The launch has been delayed more than once already: originally scheduled for March 20, it slipped to April 16 (Monday), then some minor issues pushed it to today — at 3:51 PM Pacific time, to be precise. You can watch the launch live below.
TESS, which stands for Transit Exoplanet Survey Satellite, is basically a giant wide-angle camera (four of them, actually) that will snap pictures of the night sky from a wide, eccentric, and never before tried orbit.
The technique it will use is fundamentally the same as that employed by NASA’s long-running and highly successful Kepler mission. When distant plants pass between us and their star, it cause a momentary decrease in that star’s brightness. TESS will monitor thousands of stars simultaneously for such “transits,” watching a single section of sky for a month straight before moving on to another.
By two years, it will have imaged 85 percent of the sky — hundreds of times the area Kepler observed, and on completely different stars: brighter ones that should yield more data.
TESS, which is about the size of a small car, will launch on top of a SpaceX Falcon 9 rocket. SpaceX will attempt to recover the first stage of the rocket by having it land on a drone ship, and the nose cone will, hopefully, get a gentle parachute-assisted splashdown in the Atlantic, where it too can be retrieved.
The feed below should go live 15 minutes before launch, or at about 3:35.
A new space imaging startup called EarthNow aims to provide not just pictures of the planet on demand, but real-time video anywhere a client desires. Its ambition is matched only by its pedigree: Bill Gates, Intellectual Ventures, Airbus, SoftBank and OneWeb founder Greg Wyler are all backing the play.
Its promise is a constellation of satellites that will provide video of anywhere on Earth with latency of about a second. You won’t have to wait for a satellite to come into range, or worry about leaving range; at least one will be able to view any area at any given time, so they can pass off the monitoring task to the next satellite over if necessary.
Initially aimed at “high value enterprise and government customers,” EarthNow lists things like storm monitoring, illegal fishing vessels (or even pirates), forest fires, whale tracking, watching conflicts in real time and more. Space imaging is turning into quite a crowded field — if all these constellations actually launch, anyway.
The company is in the earliest stages right now, having just been spun out from years of work by founder and CEO Russell Hannigan at Intellectual Ventures under the Invention Science Fund. Early enough, in fact, that there’s no real timeline for prototyping or testing. But it’s not just pie in the sky.
Wyler’s OneWeb connection means EarthNow will be built on a massively upgraded version of that company’s satellite platform. Details are few and far between, but the press release promises that “Each satellite is equipped with an unprecedented amount of onboard processing power, including more CPU cores than all other commercial satellites combined.”
Presumably a large portion of that will be video processing and compression hardware, since they’ll want to minimize bandwidth and latency but don’t want to skimp on quality. Efficiency is important, too; satellites have extremely limited power, so running multiple off-the-shelf GPUs with standard compression methods probably isn’t a good idea. Real-time, continuous video from orbit (as opposed to near-real-time stills or clips) is as much a software problem as it is hardware.
Machine learning also figures in, of course: the company plans to do onboard analysis of the imagery, though to what extent isn’t clear. It really makes more sense to me to do this on the ground, but perhaps a first pass by the satellite’s hardware will help move things along.
Airbus will do its part by actually producing the satellites, in Toulouse and Florida. The release doesn’t say how many will be built, but full (and presumably redundant) Earth coverage means dozens at the least. But if they’re mass-manufactured standard goods, that should keep the price down, relatively speaking anyway.
No word on the actual amount raised by the company in January, but with the stature of the investors and the high costs involved in the industry, I can’t imagine it’s less than a few tens of millions.
Hannigan himself calls EarthNow “ambitious and unprecedented,” which could be taken as an admission of great risk, but it’s clear that the company has powerful partners and plenty of expertise; Intellectual Ventures doesn’t tend to spin something off unless it’s got something special going. Expect more specifics as the company grows, but I doubt we’ll see anything more than renders for a year or so.
My friend Rick is a voiceover artist and works in Ohio – right along the flight path for jets taking off and landing at the Columbus airport. As a result, he said, he had to record late at night when the airport closed, a limitation that he found exasperating.
Enter StudioBricks, a cool startup from Barcelona. Founded by Guillermo Jungbauer, the small company makes and sells soundproof studios that click together like LEGO. The company started in 2008 and created a USA subsidy in 2014.
StudioBricks aren’t cheap. Rick paid $9,940 for his including almost $2,000 shipping. However, he said, it’s been a life-saver.
“The Studiobricks sound isolation booths are designed to be incredibly fast and easy to install without compromising the booths excellent sound isolating properties,” said Jungbauer. “This is achieved thanks to its modular panels which are built of high performance sound isolating materials and can simply be slotted together.”
The company sold 1,053 cabins in 207 and they’re on track to keep growing.
“About ten years ago I created the first booth as rehearsal space out of his own need as saxophonist,” said Jungbauer. “I developed the first bricks with acoustic engineers already having in mind the market possibilities.”
The system includes a ventilation system, a heavy, sound-proof door, and solid, sound-proofed wall panels. Rick, in his long build post, found it easy build and quite effective at keeping the plane noise at bay.
“From the beginning on Studiobricks aims to be eco-friendly. We are in a continuous process of improvement and have a strong commitment with the environment,” said Jungbauer. “That means that both, on an organisational level and product level we are improving continuously our processes and product considering the best options regarding the environment. For example years ago we changed our lacquer to a water based one. Our plant is the first and right now only in Spain using a biomass based central heating boiler.”
It’s cool to see a small European company selling a niche product gain such success. Because the company solves a notoriously difficult and wildly frustrating problem they are getting all the organic traction they need to keep going. Given the rise of corporate podcasting and other recording needs, a system like StudioBricks makes perfect sense. Considering it can be put together by two people in a few hours it is almost like the Ikea of vocal studios – compact, easy to build, and incredibly useful.
And now Rick doesn’t have to worry about the Delta flight from JFK intruding on his audio book reading session. Ganar-ganar, as they say in Barcelona.